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	<title>Sally Santiago</title>
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	<pubDate>Fri, 31 Jan 2025 04:36:47 +0000</pubDate>
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		<title>home</title>
				
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		<pubDate>Wed, 07 Jun 2023 09:54:44 +0000</pubDate>

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	sally santiago
	&#38;nbsp;work&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;about&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ︎&#38;nbsp;

	
	


























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		<title>work</title>
				
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		<pubDate>Sun, 18 Jun 2023 09:02:55 +0000</pubDate>

		<dc:creator>Sally Santiago</dc:creator>

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		<description>sally santiago
	&#38;nbsp;work &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;about&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;︎



	
	

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		<title>light resilience</title>
				
		<link>https://sallysan.com/light-resilience</link>

		<pubDate>Mon, 06 Nov 2023 18:12:14 +0000</pubDate>

		<dc:creator>Sally Santiago</dc:creator>

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		<description>sally santiago
	 work &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;about&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎


	

Light Resilience
/ COLLAB with André Araújo and Marta de Menezes

Installation
2023
	&#60;img width="5430" height="3994" width_o="5430" height_o="3994" data-src="https://freight.cargo.site/t/original/i/ed89fe22b8e865d5b7ac0662133e24bbfe8a92967718e27a9441d0c88d1a9d03/IMG_0413-2.jpg" data-mid="196051100" border="0"  src="https://freight.cargo.site/w/1000/i/ed89fe22b8e865d5b7ac0662133e24bbfe8a92967718e27a9441d0c88d1a9d03/IMG_0413-2.jpg" /&#62;
[Photos by Flávio Saldanha @Cultivamos Cultura]
	

	
	Fungi embody the essence of tenacity and adaptability. Underneath the majestic canopies, these unassuming organisms quietly weave their way through the soil, forming an interconnected network through cooperation and synergy. Fearlessly navigating dense earth, beneath rocks, and amidst decomposing matter, they transform the seemingly lifeless into fertile grounds for renewal. "Light Resilience" reflects their fragile appearance, embracing the tiniest openings, gaps, and faint whispers of nutrients to flourish and thrive. By establishing symbiotic relationships with trees and plants, they forge partnerships that transcend borders, acting as beacons of resilience. Their ability to endure adverse conditions, adapt, and thrive where others falter points to their true role in maintaining the balance of life.

	

	&#38;nbsp; &#38;nbsp;
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	[Installation view at Expanse exhibition. Cultivamos Cultura, São Luís, PT - 2023]




	


	
Os fungos encarnam a essência da tenacidade e da adaptabilidade.Sob as copas imponentes, estes organismos despretensiosos tecem silenciosamente o seu caminho através do solo, formando uma rede interligada em cooperação e sinergia. Sem se deixarem intimidar pelos obstáculos, navegam através da terra densa, debaixo das rochas e no meio de matéria em decomposição, transformando o aparentemente sem vida em terrenos férteis para a renovação. Light Resilience reflete a sua aparência frágil, abraçando as mais pequenas aberturas, as lacunas e os mais ténues sussurros de nutrientes para florescerem e prosperarem. A estabelecer relações simbióticas com árvores e plantas, formam uma parceria que transcende fronteiras, como um farol de resiliência. Tornado capaz entender como suportam condições adversas, adaptando-se e prosperando onde outros vacilam, ao apontar para seu verdadeiro papel na manutenção do equilíbrio da vida.






	
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	<item>
		<title>da verdade e do tempo</title>
				
		<link>https://sallysan.com/da-verdade-e-do-tempo</link>

		<pubDate>Mon, 19 Jun 2023 18:47:11 +0000</pubDate>

		<dc:creator>Sally Santiago</dc:creator>

		<guid isPermaLink="true">https://sallysan.com/da-verdade-e-do-tempo</guid>

		<description>sally santiago
	 work &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;about&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎


	


Da verdade e do tempo 
/&#38;nbsp;of truth and time


video, 3’38”, FullHD, 16:9, B&#38;amp;W, Sound
2020
	
	


	AWARD
Honourable Mention, 2022
Competição Aveiro Jovem Criador. Aveiro, Portugal.
	"I am the truth I believe - part of the divine nature - I am made of time, memories and the marks of what I know, have seen and lived [...]


Questioning who we are, at first sight, reveals itself as something strictly personal, but it is precisely through this questioning that the face of what we are before others is also recognised. We are attributed a power of self-knowledge that has its unique definition questioned from the moment that our existence is beyond just ourselves.&#38;nbsp;[...]&#38;nbsp;Resulting from a proposal of creation under self-reflection and self-representation, the video presents a narrative that transits from an intimate sphere to a sphere of manifestation, in a certain way "self-limited". We establish a dialogue between a personal identity and its possible change when shared - what I see and what others can see.&#38;nbsp;[...]

The context of isolation caused by the pandemic period was an essential and intensifying factor in the creation of the video, having its composition made only by indoor or personal archive scenes, which consequently established a strong influence on the reflection of the self-referential proposal. I believe that, despite the conditioned moment and environment, the experience of creation was enriched by its intimacy character, since the space - home, daily, routine - acted completely cooperatively in coexistence with the most intimate, which here became essential to the composition. As if living with yourself had never been lived under such attentive eyes, so present.&#38;nbsp;[...]&#38;nbsp;I do not deny the discomfort present in self-reflection, who will say in self-representation, the video in its final product was the fruit of a desistance from revealing completeness and more a choice of partial narrative, but, even so, intimately true.”

--&#38;nbsp;Quotes from the visual essay ‘Masks of Ourselves’ published in Vista Magazine, v.8.&#38;nbsp;
Access here.
	

	&#38;nbsp; &#38;nbsp;
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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cb202788e1fbd217e2d8011950fa6cdf7eb196ce89328a4a4092a4e85e566bf5/Da-Verdade-e-do-Tempo4.jpg" data-mid="182663039" border="0"  src="https://freight.cargo.site/w/1000/i/cb202788e1fbd217e2d8011950fa6cdf7eb196ce89328a4a4092a4e85e566bf5/Da-Verdade-e-do-Tempo4.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b245bf0b798a00e991261ae2a9be4fe6e551536b701881e28878923267041768/Da-Verdade-e-do-Tempo5.jpg" data-mid="182663040" border="0"  src="https://freight.cargo.site/w/1000/i/b245bf0b798a00e991261ae2a9be4fe6e551536b701881e28878923267041768/Da-Verdade-e-do-Tempo5.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/aea824063cbb8d7e893b8d96ddbe9933844e4dcf3e2485aae0fa4d0fa0142f7e/Da-Verdade-e-do-Tempo6.jpg" data-mid="182663041" border="0"  src="https://freight.cargo.site/w/1000/i/aea824063cbb8d7e893b8d96ddbe9933844e4dcf3e2485aae0fa4d0fa0142f7e/Da-Verdade-e-do-Tempo6.jpg" /&#62;

[video still]


	


	
"Sou a verdade que acredito — parte da natureza divina —, sou feita do tempo, das memórias e das marcas do que sei, vi e vivi&#38;nbsp;[...]


Questionar quem somos, à primeira vista, revela-se como algo estritamente pessoal, mas é exatamente por meio deste questionamento que a face do que somos perante outros é também reconhecida. A nós é atribuída uma potência de autoconhecimento que tem a sua definição ímpar questionada a partir do momento que a nossa existência está para além de somente nós mesmos&#38;nbsp;[...]&#38;nbsp;Fruto de uma proposta de criação sobre autorreflexão e autorrepresentação, o vídeo apresenta uma narrativa que transita de uma esfera íntima para uma esfera de manifestação, de certa forma “auto delimitada”. Estabelecemos o diálogo entre uma identidade pessoal e a sua possível mudança, quando partilhada — o que eu vejo e o que os outros conseguem ver&#38;nbsp;[...]


Não devo deixar de dizer que o contexto de isolamento causado pelo período pandêmico foi um fator essencial e intensificador na criação do vídeo, tendo a sua composição feita apenas por cenas indoor ou de arquivo pessoal, o que, consequentemente, estabeleceu uma forte influência na reflexão da proposta autorreferencial. Acredito que, apesar do momento e ambiente condicionados, a experiência da criação se enriqueceu pelo caráter de intimidade, visto que o espaço — lar, diário, rotineiro — atuou completamente de forma cooperativa na convivência com o mais íntimo, que aqui se fez essencial para a composição. Como se o viver com você mesmo nunca tivesse sido vivido sob olhos tão atentos, tão presentes [...] Não nego o desconforto presente na autorreflexão, quem dirá na autorrepresentação, e acredito que o vídeo em seu produto final tenha sido fruto de uma desistência de revelar uma completude e mais uma escolha de narrativa parcial, mas ainda assim, intimamente verdadeira.”

-- Citações do ensaio visual 'Máscaras de Nós' publicado na Revista Vista, v.8. Acesso aqui.






	
</description>
		
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	<item>
		<title>na antessala da conciencia</title>
				
		<link>https://sallysan.com/na-antessala-da-conciencia</link>

		<pubDate>Thu, 22 Jun 2023 16:53:32 +0000</pubDate>

		<dc:creator>Sally Santiago</dc:creator>

		<guid isPermaLink="true">https://sallysan.com/na-antessala-da-conciencia</guid>

		<description>
  
    sally santiago
  
  
    
       work &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;about&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎
    
  




  
    
    
    Na antessala da consciência
    /&#38;nbsp;In the antechamber of consciousness
    
    
    video, 11’37”, 4K, 16:9, Colour, Sound
    2022
  
  
    
    
      
    
    
  
  


  
    
    AWARD
    Honourable Mention, 2022
    XII Bienal Internacional de Arte Jovem de Vila Verde. Braga, Portugal.
  
  
    
    An internal journey through the constant reconfigurations of a particular and intimate space that fulfils its duty to transform and shape itself in a distinct and personalised way. An inaugural portrait of an active consciousness that knows little about what it will come to know, but that even so, insists on the attempt at assimilation.
    
    In the Antechamber of Consciousness is based on a spatial metaphor that supposes the existence of a restricted space where thoughts dwell before being uttered and where emotions are felt before being named. A reverie of the thinking being maintaining the routine of his existence.
  
  


  &#38;nbsp; &#38;nbsp;
&#60;img width="1920" height="988" width_o="1920" height_o="988" data-src="https://freight.cargo.site/t/original/i/423fa4c9277770504e4dca296b1c8c80beae8eae81e712951472c12965205857/Na_antessala_da_consciencia1.jpg" data-mid="183046884" border="0"  src="https://freight.cargo.site/w/1000/i/423fa4c9277770504e4dca296b1c8c80beae8eae81e712951472c12965205857/Na_antessala_da_consciencia1.jpg" /&#62;
&#60;img width="1920" height="988" width_o="1920" height_o="988" data-src="https://freight.cargo.site/t/original/i/aa503388df404a296db6b156d116f2e4465e5e2d5fe6e138b6725031453ed79c/Na_antessala_da_consciencia4.jpg" data-mid="183046886" border="0"  src="https://freight.cargo.site/w/1000/i/aa503388df404a296db6b156d116f2e4465e5e2d5fe6e138b6725031453ed79c/Na_antessala_da_consciencia4.jpg" /&#62;
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&#60;img width="1920" height="988" width_o="1920" height_o="988" data-src="https://freight.cargo.site/t/original/i/5342931fa916f48e2afa446df46244e38225b7e8ba078fbe9e6cf03c2978f9d8/Na_antessala_da_consciencia5.jpg" data-mid="183046887" border="0"  src="https://freight.cargo.site/w/1000/i/5342931fa916f48e2afa446df46244e38225b7e8ba078fbe9e6cf03c2978f9d8/Na_antessala_da_consciencia5.jpg" /&#62;
&#60;img width="1920" height="988" width_o="1920" height_o="988" data-src="https://freight.cargo.site/t/original/i/1c003182e520d49b9747def173c94d75478c1e98acdd2cf9414afac64698f1be/Na_antessala_da_consciencia2.jpg" data-mid="183046885" border="0"  src="https://freight.cargo.site/w/1000/i/1c003182e520d49b9747def173c94d75478c1e98acdd2cf9414afac64698f1be/Na_antessala_da_consciencia2.jpg" /&#62;
&#60;img width="1920" height="988" width_o="1920" height_o="988" data-src="https://freight.cargo.site/t/original/i/2d231e386e70747e003d884483eabf99c71edb65ba8c1c36889cf15d35446d46/Na_antessala_da_consciencia6.jpg" data-mid="183046888" border="0"  src="https://freight.cargo.site/w/1000/i/2d231e386e70747e003d884483eabf99c71edb65ba8c1c36889cf15d35446d46/Na_antessala_da_consciencia6.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/60fae3b45aff034ffea67969d4260102e4f47385e117e8a37c2f62b4c93ce6a9/IMG_2513.JPG" data-mid="183047420" border="0"  src="https://freight.cargo.site/w/1000/i/60fae3b45aff034ffea67969d4260102e4f47385e117e8a37c2f62b4c93ce6a9/IMG_2513.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/dbdbefbc40e724e9779d82c461b45ea475a3794193047f1d79e79df1c4d8f131/IMG_2517.JPG" data-mid="183047061" border="0"  src="https://freight.cargo.site/w/1000/i/dbdbefbc40e724e9779d82c461b45ea475a3794193047f1d79e79df1c4d8f131/IMG_2517.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/09c9fd0f734e2a1b94ea24e076ed0cdd9dee4913fd9965ccd462a845940ed25c/IMG_2561.JPG" data-mid="183047193" border="0"  src="https://freight.cargo.site/w/1000/i/09c9fd0f734e2a1b94ea24e076ed0cdd9dee4913fd9965ccd462a845940ed25c/IMG_2561.JPG" /&#62;

  

[video still][Installation view at Itinerários do pensar: o íntimo e o mundo exhibition. Livraria Térmita / Armazém, Porto, PT - 2022]



  
    
  
  
    
      
      Uma viagem interna pelas constantes reconfigurações de um espaço particular e íntimo que cumpre com o dever de se transformar e se modelar de forma distinta e personalizada. Um retrato inaugural de uma consciência em atividade que pouco sabe sobre o que virá a saber, mas que mesmo assim, insiste na tentativa de assimilação.
      
      Na antessala da consciência parte de uma metáfora espacial que supõe a existência de um espaço restrito onde os pensamentos habitam antes de serem proferidos e onde as emoções são sentidas antes de serem nomeadas. Um devaneio do ser pensante a manter a rotina de sua existência.
      
    
    
    
    
  
  

</description>
		
	</item>
		
		
	<item>
		<title>a divina psique</title>
				
		<link>https://sallysan.com/a-divina-psique</link>

		<pubDate>Tue, 20 Jun 2023 14:33:24 +0000</pubDate>

		<dc:creator>Sally Santiago</dc:creator>

		<guid isPermaLink="true">https://sallysan.com/a-divina-psique</guid>

		<description>sally santiago
	 work &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;about&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎


	

A divina psique

/&#38;nbsp;the divine psyche


video installation, 3’ loop, FullHD, 3 channels, 9:16 Colour, Sound
2022
	&#60;img width="1000" height="643" width_o="1000" height_o="643" data-src="https://freight.cargo.site/t/original/i/7c570ee172dba100029d613bcd070adfedecf356b7c46c16fbd400e00b19a0c0/a-divina-psique1.jpg" data-mid="182685542" border="0"  src="https://freight.cargo.site/w/1000/i/7c570ee172dba100029d613bcd070adfedecf356b7c46c16fbd400e00b19a0c0/a-divina-psique1.jpg" /&#62;
[Photos by Cultivamos Cultura]
	

	
	As structured models are shaped not only by their relationship with the real world but also by an individual's capacity to model and simulate global processes in their mind, mental models reveal and allow for the customization of each individual's thought processes. Just as each person has a unique way of articulating their ideas and thoughts, ‘The divine psyche’ brings forth the assumption of its own mind, its own active and constant processes of reasoning, with an intimate and unpredictable character that borders on the unknown, even to the thinking self.

It is in this portrayal of a "mysterious cognitive movement" that microscope images taken from water and mud samples of a pond located in Brazil are brought into the video installation, establishing an association between two unfamiliar spaces. By understanding water and mud as elements in constant "motion" through the development of living organisms, this ecosystem is depicted in the video to be linked to the mind, where the articulations and connections of thought take place, highlighting the respective "movements" of these two spaces - cognitive evolution and ecosystem.

Part of the process of 'A divina psque" is published as a visual essay ‘Antes de se perceber, já se pensava’, in Anais 31º Encontro Nacional ANPAP - Existências. 
Access here.

	

	&#38;nbsp; &#38;nbsp;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/4044eb1a6ecf29ae19ce5dc81b92238220c9e287932f5a80868d78052d5c707c/a-divina-psique5.jpg" data-mid="182686217" border="0"  src="https://freight.cargo.site/w/1000/i/4044eb1a6ecf29ae19ce5dc81b92238220c9e287932f5a80868d78052d5c707c/a-divina-psique5.jpg" /&#62;
&#60;img width="6024" height="4020" width_o="6024" height_o="4020" data-src="https://freight.cargo.site/t/original/i/51024fb5414d4dca4b67a90ff65bcd630f1c0db46cc01a145a228cfa5137566e/a-divina-psique4.jpg" data-mid="182686215" border="0"  src="https://freight.cargo.site/w/1000/i/51024fb5414d4dca4b67a90ff65bcd630f1c0db46cc01a145a228cfa5137566e/a-divina-psique4.jpg" /&#62;
&#60;img width="5374" height="3529" width_o="5374" height_o="3529" data-src="https://freight.cargo.site/t/original/i/efb3850e1fc439c42d57a4bd719071c93877ea8c104d1c1036ac2565f54fd980/a-divina-psique3.jpg" data-mid="182686214" border="0"  src="https://freight.cargo.site/w/1000/i/efb3850e1fc439c42d57a4bd719071c93877ea8c104d1c1036ac2565f54fd980/a-divina-psique3.jpg" /&#62;
&#60;img width="1000" height="643" width_o="1000" height_o="643" data-src="https://freight.cargo.site/t/original/i/a6f82fe0a2e638cb2a11eccd3f034da6f11ace67688f8bc2544681887d0aa7d2/a-divina-psique1.jpg" data-mid="182686212" border="0"  src="https://freight.cargo.site/w/1000/i/a6f82fe0a2e638cb2a11eccd3f034da6f11ace67688f8bc2544681887d0aa7d2/a-divina-psique1.jpg" /&#62;
&#60;img width="6000" height="5000" width_o="6000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/3b0b3873acee317f6e23475fe9d5fced309b71a970213f3a3b63534d75318ae3/A-divina-psique---Instalacao-para-a-Exposicao-Itinerarios-do-pensar-Livraria-Termita.jpg" data-mid="182686293" border="0"  src="https://freight.cargo.site/w/1000/i/3b0b3873acee317f6e23475fe9d5fced309b71a970213f3a3b63534d75318ae3/A-divina-psique---Instalacao-para-a-Exposicao-Itinerarios-do-pensar-Livraria-Termita.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/431e843c310b7f7895267a92d281b4baca6e0ef5b70e787e441ff6123a5780e7/a-divina-psique2.jpg" data-mid="182686213" border="0"  src="https://freight.cargo.site/w/1000/i/431e843c310b7f7895267a92d281b4baca6e0ef5b70e787e441ff6123a5780e7/a-divina-psique2.jpg" /&#62;




	[Installation view at Subtilezas exhibition. Cultivamos Cultura, São Luís, PT - 2022]




	


	
Como modelos estruturados não apenas pela relação com o mundo real, mas também pela capacidade do indivíduo de modelar e simular processos mundiais em sua mente, de uma forma única e particular, os mental models&#38;nbsp;evidenciam e permitem a personalização dos processos de pensamento de cada indivíduo. Tal como cada pessoa tem uma forma única de articular as suas ideias e pensamentos, ‘A divina psique’ traz a suposição de sua própria mente, de seus próprios processos de raciocínio ali ativos e constantes, com um caráter íntimo e imprevisível, que beira o desconhecido até mesmo ao próprio ser pensante.


É neste representar de um "misterioso movimento cognitivo" que imagens de microscópio retiradas de amostras de água e barro de uma lagoa localizada no Brasil são trazidas para a instalação de vídeo estabelecendo uma associação entre dois espaços desconhecidos. Ao entender a água e o barro como elementos em constante "movimento", pelo desenvolvimento de organismos vivos, este ecossistema é trazido como imagem para o vídeo a fim de associá-lo à mente, onde acontecem as articulações e conexões do pensamento, evidenciando os respectivos "movimentos" destes dois espaços - evolução cognitiva e de ecossistema.


Parte do processo de criação de 'A divina psque" encontra-se publicado no ensaio visual 'Antes de se perceber, já se pensava', no Anais 31º Encontro Nacional ANPAP - &#38;nbsp;Existências. 
Acesso aqui.






	
</description>
		
	</item>
		
		
	<item>
		<title>crónicas visuais</title>
				
		<link>https://sallysan.com/cronicas-visuais</link>

		<pubDate>Fri, 31 Jan 2025 04:36:47 +0000</pubDate>

		<dc:creator>Sally Santiago</dc:creator>

		<guid isPermaLink="true">https://sallysan.com/cronicas-visuais</guid>

		<description>sally santiago
	 work &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;about&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎


	

Crónicas Visuais de onde não estive


/&#38;nbsp;Visual chronicles of where I have not been

 installation, 3 channels, 4K, 3:1, Colour, Mono
2024
	&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/4c756cf5dd8245e2650bc4bb5097ce6d9090c2cd2abfb390f67e5051b086bda8/O34A5375_web.jpg" data-mid="225803995" border="0"  src="https://freight.cargo.site/w/1000/i/4c756cf5dd8245e2650bc4bb5097ce6d9090c2cd2abfb390f67e5051b086bda8/O34A5375_web.jpg" /&#62;
[Photos by Adriano Ferreira Borges / gnration]
	

	
	The audiovisual installation Crónicas Visuais de Onde Não Estive invites reflection on certain aspects of fictional and narrative space through the construction of particular realities. In this work, Sally Santiago draws from childhood accounts of older generations, conveyed through overlaps or small lapses in memory, inherent to the act of recollection.

Referring to events that took place around 1950 on an Atlantic island, the three episodes now serve as the foundation for the three chronicles presented here, as scenarios where a long journey of signs unfolds—an ebb and flow of ideas and images—between a past that expands and recreates itself and a present that absorbs and fictionalizes. The artist fosters the openness of multiplicity and the expansion of the realm of possibilities, where the appropriation of memories fuels the sensitive perception of new actions and landscapes, both concrete and emotional, embodying an experimental alternative to contemporary speed and a certain present-day inability to truly see and feel.

By interweaving themes of daily life, where subjective perspectives are tinged with humor and irony, and through a play of figures and characters that interact within a particular slowness and melancholy, this installation seeks to explore the space between the visible and the invisible, the tangible and the intangible, leading the viewer into an exercise of remembrance, projection, and reconstruction of their own memory.

	

	&#38;nbsp; &#38;nbsp;
&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/adf951b36633f1f08c627492443443b3affa84c757a941042c953964cd2f23c7/O34A5388_web.jpg" data-mid="225804014" border="0"  src="https://freight.cargo.site/w/1000/i/adf951b36633f1f08c627492443443b3affa84c757a941042c953964cd2f23c7/O34A5388_web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/02d76707b13858b5eb3a3ef4c1d933c7317874b209e97757f3526b53a86cb513/O34A5336_web.jpg" data-mid="225804020" border="0"  src="https://freight.cargo.site/w/1000/i/02d76707b13858b5eb3a3ef4c1d933c7317874b209e97757f3526b53a86cb513/O34A5336_web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/04968b1fcb50d58a14a1743e619427d39294fcc0f36a6d0d2d76ac3963f6fdf5/O34A5565_web.jpg" data-mid="225804016" border="0"  src="https://freight.cargo.site/w/1000/i/04968b1fcb50d58a14a1743e619427d39294fcc0f36a6d0d2d76ac3963f6fdf5/O34A5565_web.jpg" /&#62;
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&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/82cb7b8ce3dc97d31e288ac9797dc65ae65c105343e00d4ec6cb1a7ff7661ab7/O34A5379_web.jpg" data-mid="225804010" border="0"  src="https://freight.cargo.site/w/1000/i/82cb7b8ce3dc97d31e288ac9797dc65ae65c105343e00d4ec6cb1a7ff7661ab7/O34A5379_web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/46a5b40f886afc244776ad844266c4040b7e865f266dcdc024e756ded82e6570/O34A5345_web.jpg" data-mid="225804013" border="0"  src="https://freight.cargo.site/w/1000/i/46a5b40f886afc244776ad844266c4040b7e865f266dcdc024e756ded82e6570/O34A5345_web.jpg" /&#62;




	[Installation view at Laboratórios de verão. Gnration, Braga, PT - 2024]




	


	
A instalação audiovisual Crónicas visuais de onde não estive propõe pensar sobre determinadas facetas do espaço ficcional e narrativo através da construção de realidades particulares. Neste trabalho, Sally Santiago parte de relatos de infância de pessoas de gerações mais antigas, transmitidos através de sobreposições ou pequenos lapsos de lembrança, próprios do ato da recordação. 
Reportando-se a acontecimentos ocorridos entre em 1950 numa ilha do Atlântico, os três episódios servem agora de base para a construção das três crónicas aqui apresentadas, enquanto cenários onde se estabelece uma longa travessia de signos, vaivéns de ideias e imagens, entre um passado que se dilata, recriando-se, e um presente que se permeia e ficciona. A artista promove a abertura da multiplicidade e multiplicação do território do possível, onde a apropriação de lembranças serve o impulsionamento de perceções sensíveis de novas ações e paisagens, tanto concretas como emocionais, corporizando uma alternativa experimental à velocidade contemporânea e a uma certa incapacidade atual de olhar e sentir. 
Interpolando temas da vida diária, onde planos subjetivos são tingidos de humor e ironia, entre jogos de figuras e personagens que interagem sob uma lentidão e melancolia particulares, esta instalação procura trabalhar no intervalo entre o visível e o invisível, o tangível e o intangível, levando o espectador ao exercício de rememoração, projeção e reconstrução da sua própria memória.






	
</description>
		
	</item>
		
		
	<item>
		<title>outra vez, a bordar a bananeira</title>
				
		<link>https://sallysan.com/outra-vez-a-bordar-a-bananeira</link>

		<pubDate>Tue, 16 Apr 2024 14:46:26 +0000</pubDate>

		<dc:creator>Sally Santiago</dc:creator>

		<guid isPermaLink="true">https://sallysan.com/outra-vez-a-bordar-a-bananeira</guid>

		<description>sally santiago
	 work &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;about&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎


	

Outra vez, a bordar a bananeira
/ Once again, embroidering the banana leaf

 installation, wood, LED light, artisanal 100% cotton paper
2023
	&#60;img width="5255" height="3411" width_o="5255" height_o="3411" data-src="https://freight.cargo.site/t/original/i/0153747f97b4671406272ecfc47729038855c77ed1560fce9685000e541853a6/IMG_9300-1-dragged.jpg" data-mid="209075051" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/0153747f97b4671406272ecfc47729038855c77ed1560fce9685000e541853a6/IMG_9300-1-dragged.jpg" /&#62;


	

	
	"Underneath a grand mango tree
Where the sun streamed through the leaves
Sat the girls upon the earth
With lemon tree thorns and banana leaves in their hands
They envisioned the embroidery of childhood
With drawings that transcended the sap
They pierced the leaves, which lingered through time
The sun, witnessing this, also couldn't resist embroidering
Among the spaces already drawn, one by one
It cast its enchanted beams of light
That surpassed the marks and recreated shadows on the earth
Of what had been imagined before"
“Outra vez, a bordar a bananeira” [Once&#38;nbsp;again, embroidering the banana leaf] is an encapsulated recreation of a memory. Through a repetition of the revived practice and the substitution of materials, we have sunlight giving way to the heat of the welding machine, the transition from natural to artificial light, as well as the structure that holds everything together and ensures that that reimagined creation can be seen again. This new embroidery, now on cotton sheets, reverberates a new body and a new time, which rescues a space that was once inhabited with great affection, but which now has a new look. Like a rescue that takes advantage of distance to speak again.

	

	&#38;nbsp; &#38;nbsp;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/37ba2a5abb7b5a8098d3ed0991e9a6c3939cb9eaa41674ec0d63dc0de2382913/IMG_9282.JPG" data-mid="209075053" border="0"  src="https://freight.cargo.site/w/1000/i/37ba2a5abb7b5a8098d3ed0991e9a6c3939cb9eaa41674ec0d63dc0de2382913/IMG_9282.JPG" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0494671717c9b36bc16a19a74c45216eaa792c986a023ca8c4cd5d07df905feb/IMG_9189-2.JPG" data-mid="209075064" border="0"  src="https://freight.cargo.site/w/1000/i/0494671717c9b36bc16a19a74c45216eaa792c986a023ca8c4cd5d07df905feb/IMG_9189-2.JPG" /&#62;




	




	


	
“em baixo de uma grande mangueira
onde o sol passava entre as folhas
sentavam as meninas sobre a terra
com espinhos de limoeiro e folhas de bananeira em sua mãos
imaginavam o bordar da infância
com desenhos que ultrapassavam a seiva 
perfuravam as folhas, que se deixavam ficar através do tempo
o sol vendo aquilo, também não quis deixar de bordar
entre os espaços ali já desenhados, um a um 
lançava seus feixes de luz encantados&#38;nbsp;
que ultrapassavam as marcas e recriavam sombras sobre a terra
daquilo que havia antes sido imaginado”
“Outra vez, a bordar a bananeira” é como a recriação encapsulada de uma memória. Através de uma repetição da prática revivida e da substituição de materiais, temos a luz solar a dar espaço ao calor da máquina de soldar, a passagem da luz natural para a artificial, assim como a estrutura que guarda tudo junto e garante que essa criação reimaginada possa voltar a ser vista, outra vez. Esse novo bordar, agora em folhas de algodão, reverbera um novo corpo e um novo tempo, que resgata um espaço já habitado, com muito carinho, mas que agora ganha um novo visual. Como um resgate que se aproveita da distância para então voltar a falar.






	
</description>
		
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	<item>
		<title>cartografias solares</title>
				
		<link>https://sallysan.com/cartografias-solares</link>

		<pubDate>Fri, 02 Feb 2024 11:41:10 +0000</pubDate>

		<dc:creator>Sally Santiago</dc:creator>

		<guid isPermaLink="true">https://sallysan.com/cartografias-solares</guid>

		<description>sally santiago
	 work &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;about&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎


	

Cartografias Solares
/&#38;nbsp;Solar Cartographies

cyanotypes on 100% cotton paper, toning on black tea, sewing with embroidery thread, bamboo frames and banana leaves
2023
	&#60;img width="1184" height="866" width_o="1184" height_o="866" data-src="https://freight.cargo.site/t/original/i/227fabe7460dd8a849b6dd40a1694cba4d2e47a7986b87263617e53ca7272045/CS-SS-1.JPG" data-mid="203709006" border="0"  src="https://freight.cargo.site/w/1000/i/227fabe7460dd8a849b6dd40a1694cba4d2e47a7986b87263617e53ca7272045/CS-SS-1.JPG" /&#62;

	

	
	Between many generations and migrations, I find myself alive among stories I don't know, I have memories of what I haven't experienced and I carry times that have already escaped me. But despite the passage of time, the genetic and geographical imprint that denotes a curious tracing of the past, I am still being bathed in the same old sun. The days that end and begin again, in their incessant dawn cycles, ensure that the marks of what has passed are still visible.

"Solar Cartographies" recreates geographical records of family migrations and imagistically composes reimagined routes. The paper is prepared with a ferrous compound that is highly sensitive to light and is exposed to the sun, overlaid with drawn acetate sheets and concentrations of earth. The sunlight passes through the areas not covered by this negative made of drawings and earth, and a chemical reaction occurs in the exposed areas, giving rise to cyanotypes which were later dyed with a solution of black tea and alcohol. Just as the marks left by the sun imprint a timeless reflection on this geographical history, the ancestral artistic practice, which came to me through many sewing hands, could not avoid embroidering new cartographies. As a reflection of my first artistic practice, learning to embroider on banana leaves. 

Questioning the very weave of time becomes an instinctive task, like a sincere invitation to touch the (in)conscious surface of what covers us from ourselves. On the skin, the heat and the marks of what has passed and is still passing. Like a thread that unites and transcends the time barrier, through what is lived between bodies, on the skin.
 

	

	&#38;nbsp; &#38;nbsp;
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&#60;img width="1184" height="866" width_o="1184" height_o="866" data-src="https://freight.cargo.site/t/original/i/a1f11f69a83f21386d0c1c036facf736093cfd2b231db72923580e6c409fd72f/DBCDE8FF-DA8E-4ADE-9791-1184EDB0660A.JPG" data-mid="203709018" border="0"  src="https://freight.cargo.site/w/1000/i/a1f11f69a83f21386d0c1c036facf736093cfd2b231db72923580e6c409fd72f/DBCDE8FF-DA8E-4ADE-9791-1184EDB0660A.JPG" /&#62;
&#60;img width="1184" height="866" width_o="1184" height_o="866" data-src="https://freight.cargo.site/t/original/i/5a9ea5b0170df55e3bfad3de3785ba7d670a072ff00f13e473bf311ee71ef182/AB4C2546-09D7-49C6-97DB-F08BB13BC312.JPG" data-mid="203709014" border="0"  src="https://freight.cargo.site/w/1000/i/5a9ea5b0170df55e3bfad3de3785ba7d670a072ff00f13e473bf311ee71ef182/AB4C2546-09D7-49C6-97DB-F08BB13BC312.JPG" /&#62;
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&#60;img width="1188" height="871" width_o="1188" height_o="871" data-src="https://freight.cargo.site/t/original/i/672cc68c0a124735c894b033ce0aebd596cd898d4f9e173a8357c01e25a15698/E5AB9E79-540C-43CD-91DC-2E1AEE473E54.JPG" data-mid="203709017" border="0"  src="https://freight.cargo.site/w/1000/i/672cc68c0a124735c894b033ce0aebd596cd898d4f9e173a8357c01e25a15698/E5AB9E79-540C-43CD-91DC-2E1AEE473E54.JPG" /&#62;
&#60;img width="1184" height="866" width_o="1184" height_o="866" data-src="https://freight.cargo.site/t/original/i/3c6f0df69317d9c74cb4754446a8a22cc627b6451eb692daa48a355008c79503/762D5D4D-BCBC-4510-BC76-008FEC92B500.JPG" data-mid="203709015" border="0"  src="https://freight.cargo.site/w/1000/i/3c6f0df69317d9c74cb4754446a8a22cc627b6451eb692daa48a355008c79503/762D5D4D-BCBC-4510-BC76-008FEC92B500.JPG" /&#62;




	[Installation view at Um percurso pela diversidade genética humana exhibition. i3S - Instituto de Investigação e Inovação em Saúde, Porto, PT - 2024]




	


	
Entre inúmeras gerações e migrações, encontro-me viva entre histórias que desconheço, tenho memórias do que não vivi e carrego tempos que já se escaparam. Mas apesar da passagem do tempo, da marca genética e geográfica que denuncia um rastreio curioso do passado, ainda sou banhada pelo mesmo sol de sempre. Os dias, que se findam e reiniciam, em seus incessantes ciclos de amanhecer, garantem que as marcas do que passou ainda sejam visíveis. 


"Cartografias Solares" recria registos geográficos de migrações familiares e compõe imageticamente percursos reimaginados. O papel é preparado com um composto ferroso altamente sensível à luz e é exposto ao sol, sobreposto por folhas de acetato desenhadas e concentrações de terra. A luz solar atravessa as áreas não cobertas por este negativo feito de desenhos e terra, e ocorre a reação química nas áreas expostas, fazendo nascer as cianotipias que posteriormente foram tingidas por uma solução de chá preto e álcool. Assim como as marcas deixadas pelo sol imprimem um refletir atemporal nesta história geográfica, a prática artística ancestral, que chegou a mim por muitas mãos costureiras, não pôde deixar de bordar as novas cartografias. Como um reflexo da minha primeira prática artística, o aprender a bordar em folhas de bananeira. 


Questionar o próprio tecido do tempo passa a ser uma tarefa instintiva, como um sincero convite a encostar na superfície (in)consciente daquilo que nos cobre de nós mesmos. Na pele, o quente, e as marcas do que passou e ainda passa. Como um fio condutor que une e transcende a barreira temporal, pelo vivido entre corpos, na pele.






	
</description>
		
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	<item>
		<title>o inquisidor no preludio dos dias</title>
				
		<link>https://sallysan.com/o-inquisidor-no-preludio-dos-dias</link>

		<pubDate>Fri, 23 Jun 2023 13:41:48 +0000</pubDate>

		<dc:creator>Sally Santiago</dc:creator>

		<guid isPermaLink="true">https://sallysan.com/o-inquisidor-no-preludio-dos-dias</guid>

		<description>sally santiago
	 work &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;about&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎


	

O inquisidor no prelúdio dos dias

/ the inquisitor in the prelude of days

video, 9’, 4K, 16:9, Colour, Sound
2023
	&#60;img width="1067" height="1600" width_o="1067" height_o="1600" data-src="https://freight.cargo.site/t/original/i/b11065500304726f2a508ff7c7e989bf330082cb3449f7ccfe43f7217db952d5/Instalacao_O-inquisidor-no-preludio-dos-dias_Sally-Santiago_Imagem-por-Rui-Mota.jpeg" data-mid="183062837" border="0"  src="https://freight.cargo.site/w/1000/i/b11065500304726f2a508ff7c7e989bf330082cb3449f7ccfe43f7217db952d5/Instalacao_O-inquisidor-no-preludio-dos-dias_Sally-Santiago_Imagem-por-Rui-Mota.jpeg" /&#62;
[Photos by Rui Mota]
	

	
	On a day so simple, we feel so secure, so full of ourselves, so certain of everything, that we even walk with our arms swinging; but on the next, the frown wakes up before us, the words are swallowed by so many questions, so much to put into question, that all that's left is to walk with our arms crossed. It's funny how we're always the "us," the same "us," in the same routine walk of those who don't realize they're walking hand in hand with the illustrious thoughts of existence. A curious recognition, of someone who would never resemble the nonagenarian invented by the Karamazovs, who continues with questions of empty answers weighing on his head, while his heart burns from the received kiss. When has anything similar been seen? Or event better, how did we not see it? Who knows if the insignificance of existing, which screams its questions to the heavens, will one day meet the brilliant impression of being the great inquisitor. Who knows if in the insignificance of a day, it happens to rain so much and the leaves become so wet that the terrestrial mollusk decides to come out to crawl, and leave the trail of its daily questions around. Who knows after all if this is not an insignificance. Who knows, maybe the grace is in giving space and placing oneself for now as the inquisitor of the days here. Until the burning kiss satisfies more than an answer given. Even if we are already all so old.

	

	&#38;nbsp; &#38;nbsp;
&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/d80f961c876d14f032f125220fa7eb1961cf89e7dbe192be79f169847b73c417/DSC_3381.JPG" data-mid="183062541" border="0"  src="https://freight.cargo.site/w/1000/i/d80f961c876d14f032f125220fa7eb1961cf89e7dbe192be79f169847b73c417/DSC_3381.JPG" /&#62;
&#60;img width="382" height="215" width_o="382" height_o="215" data-src="https://freight.cargo.site/t/original/i/c761fe7d288420854effb6ab10ddb1743580afc4c55c7908ff552d6a346538da/O-inquisidor-no-preludio-dos-dias-0.png" data-mid="183062571" border="0"  src="https://freight.cargo.site/w/382/i/c761fe7d288420854effb6ab10ddb1743580afc4c55c7908ff552d6a346538da/O-inquisidor-no-preludio-dos-dias-0.png" /&#62;
&#60;img width="1429" height="799" width_o="1429" height_o="799" data-src="https://freight.cargo.site/t/original/i/0553473284e103741bf4477962d92be61546b2cecb861498b1ca4dd86d6e973b/O-inquisidor-no-preludio-dos-dias-1.png" data-mid="183062570" border="0"  src="https://freight.cargo.site/w/1000/i/0553473284e103741bf4477962d92be61546b2cecb861498b1ca4dd86d6e973b/O-inquisidor-no-preludio-dos-dias-1.png" /&#62;




	[Installation view at Praxis / Deixis exhibition. Museu FBAUP, Porto, PT - 2023]
[video still]



	


	
Em um dia tão simples, nos sentimos tão seguros, tão cheios de nós, tão certos de tudo, até andamos de braços a abanar; no outro, o cenho acorda antes de nós, as palavras se engolem do tanto a perguntar, do tanto a por em cheque, que o que nos resta é andar de braços a cruzar. É engraçado sermos sempre o nós, o mesmo nós, no mesmo caminhar rotineiro de quem não percebe que está a andar de mãos dadas com os ilustres pensamentos da existência. Da nossa. Um reconhecer curioso, de quem jamais se assemelharia ao nonagenário inventado por Karamázovs, que segue com as perguntas de resposta vazia a pesar-lhe a cabeça, enquanto queima-lhe o coração pelo beijo recebido. Quando é que se viu coisa semelhante? ou melhor, como é que não vimos isso? Quem sabe se a insignificância do existir, que grita suas perguntas às alturas, um dia se encontra com a brilhante impressão de ser o tal grande inquisidor. Quem sabe se na insignificância de um dia calhar de chover tanto e de as folhas umidecer até que o molusco terrestre resolva sair pra rastejar, e deixe o rastro de suas questões diárias por ai. Quem sabe afinal isso não seja uma insignificância. Quem sabe a graça esta em dar espaço e se colocar por enquanto como inquisidor dos dias aqui. Até que o beijo ardente sacie mais que uma resposta dada. Mesmo que já estejamos todos tão velhos.






	
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